Archive for November, 2010

The New WLA

The latest edition (Vol. 22, 2010) of the always-excellent journal, WLA (aka War, Literature & the Arts: An International Journal of the Humanities), which is published by the U.S. Air Force Academy’s English and Fine Arts Department, as usual includes top-flight material dealing with the Vietnam War and Vietnam veterans.

That includes an excerpt from David Rabe’s new Vietnam War-heavy novel, Girl by the Road at Night; an essay by Byron Calhoun on Tobias Wolff’s “Search for Heroism;” the transcript of a lecture on war poetry by John Balaban, best known for his translations of Vietnamese poetry; and an essay, “Urban Legends in Tim O’Brien’s The Things They Carried,” by Toledo University English professor (and Vietnam veteran) Thomas E. Barden.

The issue also features photojournalist Craig F. Walker’s evocative photo-essay about Ian Fisher, a young man who joined the Army in 2007, and whom Walker followed as he finished high school, underwent basic training and AIT, deployed to Iraq and came home. That work appeared in a series in the Denver Post.


Posted on November 26th 2010 in Journals

Chaplains Under Fire Doc

We last wrote about the excellent documentary, Chaplains Under Fire, back in April when the film was screened in New York City. The 94-minute movie, directed by Terry Nickelson and Bill Lawrence (who served in the U.S. Navy during the Vietnam War), is now available on DVD.

Most of this doc was shot on location in Iraq and Afghanistan where Lawrence and Nicholson were permitted wide access to chaplains and troops.  The film also addresses larger issues, such as evangelical fundamentalists who believe chaplains are being muzzled, and civil libertarians who believe that chaplains in the military are not in keeping with the U.S. tradition of separation of church and state.

Much of the film concentrates on the on-the-ground situations in Afghanistan and Iraq and the mission of the U.S. chaplains there. Nearly all of the many chaplains interviewed come across as caring, compassionate men and women whose only goal is to help the troops deal with emotional and spiritual issues.

I am admittedly skeptical whenever a film about religion in the military purports to be objective and the filmmakers claim to have no agenda other than exploring the subject. So, when I popped in a DVD of Chaplains Under Fire, a new documentary about military chaplains by independent filmmakers Terry Nickelson and Lee Lawrence, I was expecting the worst. I’m happy to say I was wrong. Not only is this film a must-see for anyone interested in the debate over religion in the military, but it has the potential to be a valuable training tool for military chaplains.

My skepticism remained while watching the first 20 minutes or so of this 90-minute film, which consist of various stories showing what the troops are going through, from monotony and boredom to the loss of friends, and the interaction between the chaplains and the troops. While Nickelson and Lee certainly accomplish their goal of showing what the troops endure from day to day, I found it a bit odd that the subject of religion is almost entirely absent in the interactions with the chaplains, as if it were deliberately being avoided. Every one of the many chaplains in this part of the film comes across as Father Mulcahy on M*A*S*H, just a guy in the unit who happens to be a chaplain, chatting with the troops about everything but religion while displaying a slight disapproval of things like off-color jokes and songs and posters of half-naked women in the troops’ quarters. Although this might not be an accurate depiction of the behavior of all chaplains, it would certainly make a great teaching tool to show chaplains the right way to interact with troops outside of religious services.

By the end of this 20 minutes of watching chaplains behaving in an exemplary manner, I was anticipating another hour of fluff about the devoted chaplains who serve our troops, but the rest of the film was anything but. Through interviews with people on both sides of the separation-of-church-and-state debate, Nickelson and Lee do a superb job of accurately and objectively presenting the divide between the two camps.

A number of commentators appear throughout the film, offering their perspectives on various points. On one side are people like Mikey Weinstein, founder and president of the Military Religious Freedom Foundation (MRFF); Lori Lipman Brown of the Secular Coalition for America; and Dr. Charles Haynes of the First Amendment Center. Those on the other side include Bob Dees, executive director of Campus Crusade for Christ’s Military Ministry; Billy Baugham, a retired chaplain and executive director of International Conference of Evangelical Chaplain Endorsers (ICECE); Arthur Schulcz, an attorney who represents evangelical chaplain endorsers; and Rep. Walter Jones (R-NC).

(The term “chaplain endorser,” which appears throughout this piece, refers to the endorsement of a chaplain by a Department of Defense-approved religious body. An ecclesiastical endorsement from an approved religious body is a requirement for a chaplain to serve in the military.)

Like the scenes at the beginning of the film showing chaplain after chaplain doing exactly the right thing in their interactions with the troops, all of the scenes of chaplains praying with wounded service members show absolutely appropriate behavior, with the chaplain first asking the service members if they would like him to pray. In all of these scenes, the service members happen to say yes, so none of these scenes shows how these chaplains would handle themselves with a non-religious service member who doesn’t want them to pray. This issue, however, is not overlooked by the filmmakers. It’s addressed in the interviews of ICECE’s Billy Baugham and the Secular Coalition’s Lori Lipman Brown.

Baugham begins with this story about a chaplain and a dying soldier: “And the medic came over and said, ‘Chaplain, we have a soldier here who has three minutes to live. Whatever you do as a chaplain, now is the time to do it.’” After graphically describing the soldier’s injuries, Baugham continues the story with what the chaplain said to this dying soldier: “He says, ‘Soldier, this is Chaplain Ammerman. Do you know the Lord as your savior?’ And he said — no response — ‘Would you like to know him as your savior? You’re gonna meet him in a few minutes.’” Baugham then says that the soldier shook his head and uttered a series of groans, imitating this as “ah — ah — ah — ah — ah.” He continues the story: “He says, ‘Take my hand, and if you’d like to receive him just squeeze it as hard as you can.’ And Chaplain Ammerman reports that he almost broke his hand.” Baugham sums up the story by saying, “Now that’s real Christianity. That’s the difference between proselytizing and evangelizing. He offered him the blessed hope.”

Even assuming that the soldier’s groans were something more than just noises from a barely conscious dying soldier in excruciating pain, and that the soldier squeezing the chaplain’s hand was actually an answer of ‘yes’ and not just the soldier squeezing the hand of whomever was there as he was dying, the important question is raised by Brown, who is watching Baugham relate this story on a laptop. “What would that minister have done if the soldier had said no?”

A unique aspect of this film is that the commentators from opposite sides had the opportunity to view and respond to one another’s comments as the film was being made, making it more of an actual debate than just a bunch of separate comments, so Brown got the answer to her question. Baugham responded: “What if his response was no? I would say, ‘Jesus loves you, and I urge you with all my heart to accept his word. … So you’ve got to make to make a choice. You’ve got to make it real quickly.’ I would urge that soldier as quick as I could, ‘Take your chances with him. It’s the best bet you’ve got.’”

Yes, that’s how the man who heads a group representing over 800 evangelical chaplains thinks those chaplains should treat a dying soldier who doesn’t want to accept Jesus.

While MRFF does receive a good number of complaints about chaplains, it is actually far more common, in complaints about the pushing of religious beliefs on the troops, for the pushing to be coming from a superior officer or senior NCO than from a chaplain. In Chaplains Under Fire, one of the chaplains interviewed describes an incident that is very typical of the kind of incidents reported to MRFF. The chaplain recounts what he walked into when he was called in after a member of a Marine unit committed suicide and a senior NCO’s pronouncement of his theological opinion had made the situation even more upsetting for the other members of the unit: “But the evening after, there was a senior staff NCO who talked with the guys, and he stated, ‘We’ve lost one of our Marines, but we need to go forward with the mission that we have, even though right now that individual is burning in hell.’ And luckily I came in afterwards, dealing with especially those who were immediately close with him.”

Chaplains objecting to this sort of behavior by NCOs, officers, and even other chaplains, is not uncommon. Among the thousands of service members who have contacted MRFF — 96 percent of whom are Christians themselves — have been a number of Christian chaplains. These are the chaplains who understand what Billy Baugham and Arthur Schulcz, who in Chaplains Under Fire talk about the infringement on the First Amendment’s free speech rights of the chaplains, just don’t get. Chaplains are there to serve the troops and ensure their First Amendment rights, not the other way around. Chaplains simply do not have the right to push their beliefs on the troops, nor should a chaplain encourage his or her congregants to push their beliefs on their fellow troops, as one chaplain is shown doing in Chaplains Under Fire. While chaplains certainly do have the same right as a civilian minister to preach the beliefs of their religion in the setting of an actual worship service, statements like the following from a chaplain in a worship service are troublesome:

How many of you on a day-to-day basis go up to your neighbors in your workspace and witness to them about Christ? Why not? It’s risky, isn’t it? Somebody might look at you, and they might label you something, right? Two words: he’s a Jesus freak. That’s a little bit scary. I’m not saying that God’s calling you to go to Baghdad and preach the word there, because, first of all, I don’t think you’re gonna get clearance to get off the base to do that. But God’s got plenty of missions for you every single day right here on base.

On the one hand, evangelizing is part of the Christian faith, so the chaplain has the right to talk about it in a worship service, but on the other hand, the chaplain’s military congregation does not have the right do what the chaplain is encouraging them to do — evangelize in the military workplace.

In a clip that follows, Campus Crusade’s Bob Dees claims that there’s “not anybody pushing religion on anybody else,” that “that’s not happening,” and that it’s a “myth in our media” — this from the man who heads an organization whose stated mission is to “Evangelize and Disciple All Enlisted Members of the U.S. Military.” It is an organization that is completely ingrained in the military, targeting young recruits and future officers with the aid of the chaplains and commanders who allow it to operate on their bases. An organization with the goal of transforming the U.S. military into a force of “government-paid missionaries for Christ.” An organization which has stated on its website:

Young recruits are under great pressure as they enter the military at their initial training gateways. The demands of drill instructors push recruits and new cadets to the edge. This is why they are most open to the ‘good news.’ We target specific locations, like Lackland AFB and Fort Jackson, where large numbers of military members transition early in their career. These sites are excellent locations to pursue our strategic goals.

According to Dees himself, in his Military Ministry’s newsletter:

“We must pursue our particular means for transforming the nation — through the military. And the military may well be the most influential way to affect that spiritual superstructure. Militaries exercise, generally speaking, the most intensive and purposeful indoctrination program of citizens.”

Yes, Mr. Dees, quotations like these certainly make it clear that religion being pushed on the troops is just a “myth in our media.”

The ongoing debate over prayers in Jesus’ name is, of course, addressed in Chaplains Under Fire, with several chaplains giving their opinions on the issue.

One Baptist Navy chaplain, referring to the occasions when he is asked to deliver a prayer over the speakers on a ship, said, “I don’t have a right to impose my Christianity on those people who are forced to listen.” Another Christian chaplain, referring to the antics of former Navy chaplain Gordon Klingenschmitt, said:

My dad called me as soon as the news broke that a Navy chaplain was doing a hunger strike because he couldn’t pray in Jesus’ name, and my dad’s like, ‘Is this true?’ And people always ask you, but it’s not. You have to care about other people and be somewhat respectful. That doesn’t mean that I’m limiting my faith.

The chaplain who said this is also shown giving a prayer to group of soldiers about to go out on a mission, and this chaplain did exactly the right thing in that setting. He told the soldiers that he wanted to say a prayer, and gave those who didn’t want to participate a moment to walk away and having those who did want to participate gather around him.

In contrast, another chaplain is shown doing the wrong thing, jumping right into a prayer without giving a group of soldiers returning from a mission any choice but to stand there and listen, whether they want to or not. And, in addition to maintaining a captive audience, this chaplain made his prayer specifically Christian by ending it in “thy son’s name.”

When asked about prayers in Jesus’ name, this chaplain gives the typical response, laughing out loud at his own cleverness in getting around the issue by using phrases that everyone knows mean Jesus, but not actually saying Jesus: “If this is your setting with all ranks and all different types of people, and this is a mandatory ceremony, then, of course, you say, ‘In the name of the one who died for our sins,’ or, ‘In your precious name.’ That’s not a controversy. The controversy is Jesus. The name himself.”

This chaplain’s ever-so-clever avoidance of actually using Jesus’ name while making it clear that the prayer is in Jesus’ name is so common that Mikey Weinstein often illustrates the the ridiculousness of this with a made-up example of a non-sectarian prayer, which he repeats in the film: “We now ask our sweet lord’s blessing on the assembled troops here today. We ask it in the name of our sweet lord, whose name we can’t say because of Mikey Weinstein and the Military Religious Freedom Foundation, but it rhymes with ‘Besus.’”

Rep. Walter Jones, a crusader for a chaplain’s “right” to pray in Jesus’ name in all situations, tells the following story about one Air Force chaplain:

He said, “Congressman, I am a major in the Air Force and I cannot tell you how many times after an official event on base that I was asked to pray, that I did not close my prayer in the name of Jesus Christ, that I would go back to my office and get down on my knees and ask God to forgive me that I denied his son in my prayer.”

But the same chaplain mentioned earlier who has no problem keeping his shipboard prayers non-sectarian, would certainly disagree with Rep. Jones. As that chaplain explains, “Because I always understand my prayers to be going to the person of Jesus Christ — I’m a Baptist, how else would I understand it — I don’t need to say that name. I don’t need to exclude somebody from my prayer by pointing out that very obvious fact.”

In the scene described earlier of the chaplain appropriately giving the soldiers the choice to pray or not to pray before going out on a mission, the prayer the chaplain says is the Lord’s Prayer. On the surface, this would seem to be specifically Christian, because this prayer comes from the New Testament, but it’s actually a pretty generic prayer, and one that really shows the irony of the whole praying in Jesus’ name controversy. When Jesus’ disciples asked him how they should pray, Jesus himself didn’t tell them to pray to him or in his name. He told them to say the Lord’s Prayer, called that not because it’s a prayer to Jesus or in Jesus’ name, but a prayer that, according to the Bible, Jesus composed. Yet now we have chaplains claiming that they are denying Jesus if they can’t end their public prayers in his name — public prayers that are contrary, in the first place, to what Jesus himself told his disciples when he said not to pray in public like the hypocrites, but to pray in private.

Another scene in Chaplains Under Fire shows a National Prayer Luncheon taking place at Pope Air Force Base in North Carolina. The beginning of the scene shows the Christian chaplain saying it’s an interfaith prayer luncheon, and then a Jewish airman praying a Jewish prayer, and a Muslim chaplain praying a Muslim prayer. Great.

The Christian chaplain, being interviewed about the luncheon, says, “The Imam was obviously Muslim. The airman was obviously Jewish. So, we just happened to have a Christian speaker, then.”

It’s funny how these interfaith prayer luncheons and breakfasts, which are very common events throughout the military, always make a point of having a non-Christian or two participate in a nominal way with a short prayer, but virtually always seem to just happen to have a Christian speaker.

The speaker at the luncheon at Pope Air Force Base was former football coach Tommy Bowden, who proceeded to tell the audience at this interfaith event that America is a Christian nation, using a fake Patrick Henry quotation popular on Christian websites to do it. The film shows Bowden claiming that Henry said, “I strongly emphasize that this great country America was not founded by religionists, but by Christians; not on the basis of religions, but on the basis of Jesus Christ.”

Christian nationalist pseudo-history has actually become very prevalent in the military in recent years, and speakers at events such as the one at Pope Air Force Base frequently include a dose of historical revisionism in their speeches.

Billy Baugham says in the film:

The original intent of the founding fathers were to have a country that is essentially Christocentric but tolerant of other faith groups. Therefore, you have the Jews and the others come in. And I do not think the original intent was to bring in every religion under the earth. They didn’t even know about them then.

Clearly, George Washington, who wrote to a Jewish congregation in Rhode Island that “it is now no more that toleration is spoken of, as if it was by the indulgence of one class of people that another enjoyed the exercise of their inherent natural rights,” would have strongly disagreed with Baugham. So would James Madison, who had the word “toleration” struck from the Virginia Declaration of Rights because toleration does not mean full equality, but rather that there is preferred religion that is merely tolerating other religions. As far as the founders not even knowing about other religions, this is a ridiculous claim. As Thomas Jefferson wrote in his autobiography, a proposal to insert the name “Jesus Christ” in the Virginia Bill for Establishing Religious Freedom “was rejected by a great majority, in proof that they meant to comprehend, within the mantle of it’s protection, the Jew and the Gentile, the Christian and Mahometan, the Hindoo, and infidel of every denomination.”

Rep. Walter Jones also greatly distorted the history of the chaplaincy in his most recent proposed bill regarding prayers in Jesus’ name. For more on that, see my previous post, A Little History Lesson For Rep. Walter B. Jones About Military Chaplains.

When asked in his interview for Chaplains Under Fire about the level of communication between fundamentalists like Billy Baugham and someone like himself, Weinstein responded, “If we could improve the level of communication a thousand-fold, then and only then could we say that we’re two ships passing in the night, because right now we’re two starships in different space-time continuums.”

Weinstein is not exaggerating: the divide is that deep. In fact, Weinstein is currently suing Jim Ammerman, the former chaplain whom Baugham talks about in the film, and Gordon Klingenschmitt, who was endorsed by Chaplaincy of Full Gospel Churches (the chaplain-endorsing agency founded by Ammerman) after losing the endorsement of his former endorser just prior to his court-martial. This is not a MRFF lawsuit but a personal one brought by Weinstein and his wife after Klingenschmitt issued public prayers calling for Weinstein’s death. Ammerman has also stooped to slandering Weinstein’s family, stating in a speech in 2008 declaring that Weinstein had become a “madman” because his son, Ammerman claims, got saved at the Air Force Academy, a lie that originated in a 2005 email exchange involving Baugham.

For more about Jim Ammerman, including his call for the lynching of four U.S. senators in the 2008 Democratic primary and disturbing connections to the militia movement, see my post Conspiracy Theorist Military Chaplains Promote Anti-American Militia Activity, a post that, with the recent news reports about Christian militia activity, seems more timely now than when I wrote it last spring.

Posted on November 24th 2010 in Documentaries

POW Shack at the Wall Burns

A fire that started late Monday night destroyed the POW/MIA shack that has sat for decades between the Vietnam Veterans Memorial and the Lincoln Memorial in Washington. Sometimes known as “The Last Firebase,” the small shack has been praised as a reminder of those still missing in action from the Vietnam War, and criticized as being an eyesore and a commercial enterprise near the National Mall.

“They would have memorabilia tell the story of Vietnam vets. They vowed to remain here until the story of all the prisoners of wars was finally known,” Tim Krepp, an independent tour guide, told WAMU radio.

“At one point, there were six or seven of them selling t-shirts. That was stopped by the National Park Service back in the mid-90s. Most of them closed up shop and went home, but this [one] guy stuck around for a while until last night.”

According to the radio report, Washington, D.C., fire officials said they believed the blaze was set accidentally.

Posted on November 24th 2010 in Memorials

Glory Denied: The Opera

Back in 2001 newspaper columnist Tom Philpott wrote a compelling book called Glory Denied: The Saga of Jim Thompson, America’s Longest-Held Prisoner of War, the amazing, true story of Col. Floyd James “Jim” Thompson. The former Special Forces officer was captured by the Viet Cong in March 1964 and not released until 1973, giving him the dubious honor of being held longer than any other Prisoner of War in U.S. history.

Thompson suffered greatly during his nine years of captivity, physically and emotionally.  To add to his troubles, while he was being held by the Viet Cong, Thompson’s wife moved with their four young children into the home of an Army sergeant.

The Thompsons reunited after his release, but their marriage soon dissolved. Thompson later suffered a stroke that diminished his mental capabilities. In his book, Tom Philpott told Jim Thompson’s story mainly through the verbatim testimony of his family, friends and colleagues. Much of Thompson’s own contributions came from interviews he gave for another book prior to his stroke.

The Jim Thompson story intrigued the composer Tom Cipullo, who sat down a few years ago and wrote a contemporary opera based on the tale. The Chelsea Opera in New York City put on several performances of Cipullo’s Glory Denied in November. The Boston Metro Opera will present a fully staged production with piano accompaniment in Jamaica Plain, Mass., on February 25 and 26. UrbanArias will offer six performances in Arlington, Virginia, beginning April 1.

New York Times critic Allan Kozinn called the Chelsea Opera Veterans Day performance, produced by Lynne Hayden-Findlay,  “a spare, affecting production.”

Instead of presenting the Thompsons’ “wrenching history as a straight narrative,” Kozinn said, “Mr. Cipullo tells it as a dialogue between past and present, with actions and their implications shown almost simultaneously.” Although the musical has only two characters, Cipullo has four singers play the two roles, as the younger and older Thompsons.

Posted on November 19th 2010 in Musicals, Plays

Shakey’s Hill on the Military Channel

The Cav goes into Cambodia

Norman Lloyd’s Shakey’s Hill, an award-winning documentary that combines his 1970 CBS News footage of the American incursion into Cambodia with interviews of participants 35 years later, will be shown on The Military Channel on Saturday, November 20.

Norman Lloyd in Vietnam

The former CBS cameraman went along with the men of Bravo Company of the 5th Battalion 7th Cavalry into the Cambodian jungle 40 years ago. His footage shows them in action as they discovered NVA weapons and supply caches and wound up in a sharp fight at a place called Shakey’s Hill.

Posted on November 15th 2010 in Documentaries, On TV

New Doc on U.S.S. Kirk During Op Frequent Wind

USS Kirk‘s crew and a Vietnamese baby, April 29, 1975.

The Kirk, a U.S. Navy destroyer escort ship, played a little-heralded role in the evacuation of some 30,000 South Vietnamese men, women and children, including many members of that nation’s navy, as the communists took over in the last days of April 1975.

A documentary about that massive, heroic rescue, The Lucky Few, has its premiere today, Veterans Day, November 11 at 2:00 p.m.  at the Smithsonian Institution’s  National Museum of Natural History in Washington, D.C. The film showing is free and open to the public in the museum’s Baird Auditorium.

The one-hour doc was produced by Jan Herman, the U.S. Navy’s Medical Department’s senior historian for the Navy’s Bureau of Medicine and Surgery. Today’s screening will be followed by a Q&A featuring Capt. Paul Jacobs, the former commander of the  Kirk, along with several members of his crew, ands former Vietnamese refugees who settled in the United States.

The Kirk’s humanitarian mission was the subject of a recent three-part series on NPR, “Forgotten Ship: A Daring Rescue as Saigon Fell.”

Posted on November 11th 2010 in Documentaries, History

HBO’s Wartorn

The actor James Gandolfini (above), best known for his portrayal of Tony Soprano on the acclaimed HBO series, has been a strong supporter of America’s veterans. With little fanfare, Gandolfini has for years made regular visits to the troops at home and abroad, including those recovering from their wounds. His latest altruistic contribution to the nation’s veterans is the searing HBO Documentary, Wartorn: 1861-2010.

The film, which will be shown on HBO on Veterans Day, November 11, takes a personal look at post-traumatic stress disorder on American veterans of the Civil War, World Wars I and II, the Vietnam War, and the current  wars in Iraq and Afghanistan.

Gandolfini , the doc’s executive producer, also appears on screen, asking questions of military PTSD experts, talking to a group of World War II veterans, and sitting down with Gen. Ray Odierno, who commanded U.S. troops in Iraq. 

The film includes often-painful interviews with veterans from the most recent American wars , as well as their family members. There also is a powerful interview with Vietnam veteran Akinsanya Kambon, who served as a twenty-year-old Marine combat artist during the war, and whose life and work has been shaped by his war-time experiences.

The filmmakers do not shy from showing war at its worst, offering many images of dead, dying and severerly wounded American troops. It often is not a pretty picture.

The points that film makes only too well is that PTSD is nothing new, that it hits veterans of all wars, including “good” ones, such as World War II, and that the military is trying to address the issue today–with mixed results.

“Nobody is really unscathed,” notes Col. John Bradley, Walter Reed’s chief of psychiatry.

Posted on November 10th 2010 in Documentaries, On TV

Monumental Bronze VN Map at USAFA


James Nance (above), a former USAF pilot and Vietnam veteran, today is a retired airline pilot and an accomplished sculptor. Nance, who lives in Loveland, Colorado, specializes in Abraham Lincoln, portraits, and monumental figure sculpture. His latest work certainly fits the “monumental” category: a huge bronze map of Southeast Asia that was dedicated October 1 in the new Southeast Asia Memorial Pavilion at the U.S. Air Force Academy in Colorado Springs, Nance’s alma mater.

Nance’s monumental bronze map (below), a high-relief sculpture, is eight feet tall and weighs in at about 800 pounds. It represents an area of some 900,000 square miles, depicting Vietnam, Laos, Cambodia, Thailand, and parts of China and Burma. That includes the Ho Chi Minh Trail and virtually every U.S. and enemy base.

It also represents a labor of love for the sculptor who graduated from the Academy in 1971. He went on to serve as a pilot on a C-141 transport crew that worked primarily on redeploying U.S. troops from Vietnam, including the American POW’s released in 1973. He served in the Air Force until 1977,  then became a commercial airline pilot until his retirement three years ago.

Getting the map commission and executing it “was just more than I could dream for,” Nance told Air Force Times. “As I was working on the map, it was almost like a reverent experience. It was very inspirational. I didn’t really think about me that much, but the guys who were there.”

In the weeks since its dedication the map has been a big draw on the USAFA campus. “Since the map has been installed there has been a steady stream of visitors composed of Vietnam veterans and families of those service members killed in action from all services,” Nance told us. “The visits are emotional; all touch the map at meaningful locations, shed tears, and remember. At times of the day there is a line waiting to enter the building. Although I was hoping the map would create a connection to the past, this level of emotional response to the monument has been overwhelming.”

For more info about the map and Nance’s other work, take a look at his website.

Posted on November 9th 2010 in Art

21 and a Wake Up

That’s the title of a new independent film written, produced, and directed by Vietnam veteran Chris McIntyre. The movie, which has been playing in different venues around the country for several months, stars Danica McKellar, Faye Dunaway, and Amy Acker (above).

It has the distinction of being the first American film about the Vietnam War to be filmed on location in Vietnam, and was produced in conjunction with Vietnam’s state-owned Feature Film Studio Number One. The film, based on real events, is set at the 24th Evacuation Hospital at Long Binh, and follows the lives of three young nurses.

Posted on November 8th 2010 in Feature Films

Art of the American Soldier

That’s the title of an exhibit made up of 250 paintings and sketches done by  American soldiers in the line of duty that has been on view at the National Constitution Center on Arch Street in downtown Philadelphia since late September. The exhibit, which features many works of art from the Army’s archives that never had been seen in public before, will be on view through January 10.

The exhibit was put together with the help of U.S. Army Center of Military History and the National Museum of the United States Army (which is slated to begin construction at Ft. Belvoir in Virginia in 2013).  After the show ends in Philadelphia, it will begin a national tour.

The works on view are part of a collection that the Army has held in storage for decades of some 15,000  pieces done by more than 1,300 soldier-artists dating back to World War I. There are etchings, as well as paintings and sketches done in pen and ink, pencil, watercolor, charcoal as well as oil and acrylic paints.

“The Army was truly interested in seeing war through the eyes of the soldier artists, not for propaganda purposes,” artist and Vietnam veteran Jim Pollock, of Pierre, S.D., who has several pieces in the exhibit, told the Associated Press. “We were encouraged to express our experiences in our own style; we could determine our own agenda and our own subject matter.”

Pollock went to Vietnam in August 1967 when he was 22 years old and had just finished art school. He did four months in country, where he traveled extensively, spending time with 52 units and documenting what he saw with India ink on a sketch pad.

“When I got there, what I expected to see isn’t what I saw,” he said. “I didn’t see glorious battles or anything like that. I saw body bags stuffed in a Huey helicopter, I saw death and destruction.”

In the field, Pollock said, “the heat was so oppressive the only breeze would be from the bugs flying around. What I tried to do was focus on the individual soldiers, to get past what you can see visually and get to the deeper emotional experience of this hostile environment.”

Posted on November 3rd 2010 in Art, Art Exhibits